Tabel Chord terhadap
Nada Dasar
|
Nada
dasar
|
I
|
ii
|
iii
|
IV
|
V
|
vi
|
vii-5
|
|
C
|
C
|
Dm
|
Em
|
F
|
G
|
Am
|
Bm-5
|
|
F
|
F
|
G
|
Am
|
Bb
|
C
|
Dm
|
Em-5
|
|
G
|
G
|
Am
|
Bm
|
C
|
D
|
Em
|
F#-5
|
|
Bb
|
Bb
|
Cm
|
Dm
|
Eb
|
F
|
Gm
|
Am-5
|
|
D
|
D
|
Em
|
F#m
|
G
|
A
|
Bm
|
C#m-5
|
|
Eb
|
Eb
|
Fm
|
Gm
|
Ab
|
Bb
|
Cm
|
Dm-5
|
|
A
|
A
|
Bm
|
C#m
|
D
|
E
|
F#m
|
G#m-5
|
|
Ab
|
Ab
|
Bbm
|
Cm
|
Db
|
Eb
|
Fm
|
Gm-5
|
|
E
|
E
|
F#m
|
G#m
|
A
|
B
|
C#m
|
D#m-5
|
* Ada banyak jenis Chord, diantaranya :
- Suspended (sus 4),
terdiri dari nada pertama (do), nada keempat (fa), dan nada kelima (sol).
- Enam ( 6 ), uaitu
menambahkan nada keenam ( la ) pada suatu chord.
- Dominan tujuh ( 7
), yaitu menambahkan nada ketujuh mol (7 )
- Mayor tujuh (M7),
yaitu menambahkan nada ke tujuh ( si ) pada suatu chord.
- Sembilan (9), yaitu
menambahkan nada kesembilan (re’) pada suatu chord.
- Sebelas (11), yaitu
menambahkan nada kesebelas (fa’), kesembilan (re’), dan dominant tujuh ( 7 )
dan menghapus nada ketiga dan kelima.
- Augmented (+5 atau
+), nada kelima dinaikkan ½ (menjadi 5 )
- Diminished tujuh
(dim7), terdiri dari nada 1 , 3 , 4 , 6 , untuk mempersingkat kita tulis (dim)
3. Irama (Style)
·
irama ¾ (waltz) cth :
Bapa Kami Konvenas, dll
·
irama 2/2, 2/4,
(March, Polka, country) cth : Allah ditinggikan, dll
·
irama 4/4, (8 beat,
16 beat, disco, cha-cha,swing,bounce, samba, keroncong)
·
irama 6/8 , 12/4
(slowrock, rockballad, blues) dan lain lain cth
Beberapa petunjuk teknis / musical signs beserta Tempo dan Dinamik
||:
:|| : Tanda ulang / repeat
| A
| B ||: C | D :|| urutan membacanya : A BC D C D
Fine
: Akhir lagu / Finish here
Coda
/ Þ : Bagian penutup (ekor)
Segno
/ % : Tanda % (atau signal)
DC
(Ca Capo) : Ulang dari awal sampai tamat.
DS
(Dal Segno) : Ulang dari tanda % (signal), return to the signo
mark
DC
al Coda : Ulang dari awal lagu lompat ke Coda Þ
DC al
Fine : Ulang dari awal lagu sampai Fine (akhir)
DS al Coda : Ulang
dari tanda % (signal) sampai bagian penutup
biasanya ditempat lagu ditulis kata “ke coda” (to coda) maka dari bagian ini
kita langsung melompat ke coda Þ
Tacet : Membungk am, berhenti
berbunyi (pause in the accompaniment)
Fermata U : Suatu nada yang
diperpanjang menurut kehendak penyanyi, nada yang dipanjang melebihi nilai
sebenarnya (Prolog the note or rest property)
Tie (Legato) : Suar a bersambung
(Hold the first note and do not reply the second one)
N : Tanda balik as al (pugar)
natural
Cres (Crescendo) : Makin keras
Discres
(Discrescendo) : Makin lemah
Vivace
: Gembira, hidup
Adagio
: Amat sangat lambat
Prestissimo
: Amat sangat cepat
Largheno
: Lambat
Di
Marcia : Seperti orang berbaris
Maestoso
: Khidmad, Agung, dan Mulia
Con
brio : Semangat bergelora
Allegreto
: Ringan, hidup, dan gembira
Con
bravura : Gagah
ff
(fortisimmo) : Sangat keras
pp
(pianissimo) : Sangat lambat
p
(piano) : Lambat / lembut
Tabel Chord terhadap Nada Dasar
|
Nada
dasar
|
I
|
Ii
|
iii
|
IV
|
V
|
vi
|
vii-5
|
|
C
|
C
|
Dm
|
Em
|
F
|
G
|
Am
|
Bm-5
|
|
F
|
F
|
G
|
Am
|
Bb
|
C
|
Dm
|
Em-5
|
|
G
|
G
|
Am
|
Bm
|
C
|
D
|
Em
|
F#-5
|
|
Bb
|
Bb
|
Cm
|
Dm
|
Eb
|
F
|
Gm
|
Am-5
|
|
D
|
D
|
Em
|
F#m
|
G
|
A
|
Bm
|
C#m-5
|
|
Eb
|
Eb
|
Fm
|
Gm
|
Ab
|
Bb
|
Cm
|
Dm-5
|
|
A
|
A
|
Bm
|
C#m
|
D
|
E
|
F#m
|
G#m-5
|
|
Ab
|
Ab
|
Bbm
|
Cm
|
Db
|
Eb
|
Fm
|
Gm-5
|
|
E
|
E
|
F#m
|
G#m
|
A
|
B
|
C#m
|
D#m-5
|
* Ada banyak jenis Chord, diantaranya :
- Suspended (sus 4),
terdiri dari nada pertama (do), nada keempat (fa), dan nada kelima (sol).
- Enam ( 6 ), uaitu
menambahkan nada keenam ( la ) pada suatu chord.
- Dominan tujuh ( 7
), yaitu menambahkan nada ketujuh mol (7 )
- Mayor tujuh (M7),
yaitu menambahkan nada ke tujuh ( si ) pada suatu chord.
- Sembilan (9), yaitu
menambahkan nada kesembilan (re’) pada suatu chord.
- Sebelas (11), yaitu
menambahkan nada kesebelas (fa’), kesembilan (re’), dan dominant tujuh ( 7 )
dan menghapus nada ketiga dan kelima.
- Augmented (+5 atau
+), nada kelima dinaikkan ½ (menjadi 5 )
- Diminished tujuh
(dim7), terdiri dari nada 1 , 3 , 4 , 6 , untuk mempersingkat kita tulis (dim
|
Nada dasar
|
i
|
ii
|
iii
|
iv
|
v
|
vi
|
vii-5
|
|
C
|
C
|
Dm
|
Em
|
F
|
G
|
Am
|
Bm-5
|
|
D
|
D
|
Em
|
F#m
|
G
|
A
|
Bm
|
C#m-5
|
|
Eb
|
Eb
|
Fm
|
Gm
|
Ab
|
Bb
|
Cm
|
Dm-5
|
|
E
|
E
|
F#m
|
G#m
|
A
|
B
|
C#m
|
D#m-5
|
|
F
|
F
|
G
|
Am
|
Bb
|
C
|
Dm
|
Em-5
|
|
G
|
G
|
Am
|
Bm
|
C
|
D
|
Em
|
F#-5
|
|
Ab
|
Ab
|
Bbm
|
Cm
|
Db
|
Eb
|
Fm
|
Gm-5
|
|
A
|
A
|
Bm
|
C#m
|
D
|
E
|
F#m
|
G#m-5
|
|
Bb
|
Bb
|
Cm
|
Dm
|
Eb
|
F
|
Gm
|
Am-5
|
|
|
9
|
M
|
Sus4
|
aug
|
6
|
M7
|
|
|
1/do
|
2/re
|
3/mi
|
4/fa
|
5/sol
|
6/la
|
7/si
|
I/do’
|
|
C
|
D
|
E
|
F
|
G
|
A
|
B
|
C
|
|
D
|
E
|
F
|
G
|
A
|
B
|
C
|
D
|
|
E
|
F
|
G
|
A
|
B
|
C
|
D
|
E
|
|
F
|
G
|
A
|
B
|
C
|
D
|
E
|
F
|
|
G
|
A
|
B
|
C
|
D
|
E
|
F
|
G
|
|
A
|
B
|
C
|
D
|
E
|
F
|
G
|
A
|
|
B
|
C
|
D
|
E
|
F
|
G
|
A
|
B
|
1= C
|
|
1
|
9
|
3
|
SUS
|
5
|
M7
|
7
|
|
|
i
|
C
|
D
|
E
|
F
|
G
|
A
|
B
|
C
|
|
Ii/m7
|
D
|
E
|
F
|
G
|
A
|
B
|
C
|
D
|
|
Iii/m7
|
E
|
F
|
G
|
A
|
B
|
C
|
D
|
E
|
|
Iv/b5
|
F
|
G
|
A
|
B
|
C
|
D
|
E
|
F
|
|
V/p7
|
G
|
A
|
B
|
C
|
D
|
E
|
F
|
G
|
|
Vi/m+
|
A
|
B
|
C
|
D
|
E
|
F
|
G
|
A
|
|
vii-5
|
B
|
C
|
D
|
E
|
F
|
G
|
A
|
B
|
|
|
|
|
|
|
|
|
|
|
1=D (2#)
|
|
1st
|
|
3rd
|
|
5th
|
M7
|
7th
|
|
|
1
|
D
|
E
|
F#
|
G
|
A
|
B
|
C#
|
D
|
|
Ii/m7
|
E
|
F#
|
G
|
A
|
B
|
C#
|
D
|
E
|
|
Iii/m7
|
F#
|
G
|
A
|
B
|
C#
|
D
|
E
|
F#
|
|
Iv/b5
|
G
|
A
|
B
|
C#
|
D
|
E
|
F#
|
G
|
|
V/p7
|
A
|
B
|
C#
|
D
|
E
|
F#
|
G
|
A
|
|
Vi/m+
|
B
|
C#
|
D
|
E
|
F#
|
G
|
A
|
B
|
|
vii-5
|
C#
|
D
|
E
|
F#
|
G
|
A
|
B
|
C#
|
|
|
|
|
|
|
|
|
|
|
1=E(4#)
|
|
1
|
|
3
|
|
5
|
M7
|
7
|
|
|
1
|
E
|
F#
|
G#
|
A
|
B
|
C#
|
D#
|
E
|
|
Ii/m7
|
F#
|
G#
|
A
|
B
|
C#
|
D#
|
E
|
F#
|
|
Iii/m7
|
G#
|
A
|
B
|
C#
|
D#
|
E
|
F#
|
G#
|
|
Iv/b5
|
A
|
B
|
C#
|
D#
|
E
|
F#
|
G#
|
A
|
|
V/p7
|
B
|
C#
|
D#
|
E
|
F#
|
G#
|
A
|
B
|
|
Vi/m+
|
C#
|
D#
|
E
|
F#
|
G#
|
A
|
B
|
C#
|
|
vii-5
|
D#
|
E
|
F#
|
G#
|
A
|
B
|
C#
|
D#
|
|
|
|
|
|
|
|
|
|
|
1=F(1b)
|
|
1
|
|
3
|
|
5
|
M7
|
7
|
|
|
1
|
F
|
G
|
A
|
Bb
|
C
|
D
|
E
|
F
|
|
Ii/m7
|
G
|
A
|
Bb
|
C
|
D
|
E
|
F
|
G
|
|
Iii/m7
|
A
|
Bb
|
C
|
D
|
E
|
F
|
G
|
A
|
|
Iv/b5
|
Bb
|
C
|
D
|
E
|
F
|
G
|
A
|
Bb
|
|
V/p7
|
C
|
D
|
E
|
F
|
G
|
A
|
Bb
|
C
|
|
Vi/m+
|
D
|
E
|
F
|
G
|
A
|
Bb
|
C
|
D
|
|
vii-5
|
E
|
F
|
G
|
A
|
Bb
|
C
|
D
|
E
|
|
|
|
|
|
|
|
|
|
|
1=G(1#)
|
|
1
|
|
3
|
|
5
|
M7
|
7
|
|
|
1
|
G
|
A
|
B
|
C
|
D
|
E
|
F#
|
G
|
|
Ii/m7
|
A
|
B
|
C
|
D
|
E
|
F#
|
G
|
A
|
|
Iii/m7
|
B
|
C
|
D
|
E
|
F#
|
G
|
A
|
B
|
|
Iv/b5
|
C
|
D
|
E
|
F#
|
G
|
A
|
B
|
C
|
|
V/p7
|
D
|
E
|
F#
|
G
|
A
|
B
|
C
|
D
|
|
Vi/m+
|
E
|
F#
|
G
|
A
|
B
|
C
|
D
|
E
|
|
vii-5
|
F#
|
G
|
A
|
B
|
C
|
D
|
E
|
F#
|
|
|
|
|
|
|
|
|
|
|
1=A(3#)
|
|
1
|
|
3
|
|
5
|
M7
|
7
|
|
|
1
|
A
|
B
|
C#
|
D
|
E
|
F#
|
G#
|
A
|
|
Ii/m7
|
B
|
C#
|
D
|
E
|
F#
|
G#
|
A
|
B
|
|
Iii/m7
|
C#
|
D
|
E
|
F#
|
G#
|
A
|
B
|
C#
|
|
Iv/b5
|
D
|
E
|
F#
|
G#
|
A
|
B
|
C#
|
D
|
|
V/p7
|
E
|
F#
|
G#
|
A
|
B
|
C#
|
D
|
E
|
|
Vi/m+
|
F#
|
G#
|
A
|
B
|
C#
|
D
|
E
|
F#
|
|
vii-5
|
G#
|
A
|
B
|
C#
|
D
|
E
|
F#
|
G#
|
|
|
|
|
|
|
|
|
|
|
1=B(2b)
|
|
1
|
|
3
|
|
5
|
M7
|
7
|
|
|
1
|
B
|
C#
|
D#
|
E
|
F#
|
G#
|
A#
|
B
|
|
Ii/m7
|
C#
|
D#
|
E
|
F#
|
G#
|
A#
|
B
|
C#
|
|
Iii/m7
|
D#
|
E
|
F#
|
G#
|
A#
|
B
|
C#
|
D#
|
|
Iv/b5
|
E
|
F#
|
G#
|
A#
|
B
|
C#
|
D#
|
E
|
|
V/p7
|
F#
|
G#
|
A#
|
B
|
C#
|
D#
|
E
|
F#
|
|
Vi/m+
|
G#
|
A#
|
B
|
C#
|
D#
|
E
|
F#
|
G#
|
|
vii-5
|
A#
|
B
|
C#
|
D#
|
E
|
F#
|
G#
|
A#
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Common
|
1
|
3
|
5
|
|
|
Minor
|
1
|
3b
|
5
|
7
|
|
Maj7
|
1
|
3
|
5
|
7
|
|
Sus4
|
1
|
4
|
5
|
|
|
Aug(+)
|
1
|
3
|
5#
|
7
|
|
P7
|
1
|
3
|
5
|
7b
|
|
dim
|
1
|
3
|
4
|
6
|
Chords
|
|
|
|
|
|
|
|
|
Major
|
1
|
3
|
5
|
|
|
|
|
Major 6
|
1
|
3
|
5
|
6
|
|
|
|
Major 9
|
1
|
3
|
(5)
|
7
|
9
|
|
|
Major 11
|
1
|
3
|
5
|
7
|
9
|
11
|
|
Major 13
|
1
|
3
|
7
|
9
|
11
|
13
|
|
Major add 9th
|
1
|
3
|
5
|
9
|
|
|
|
Major7-5
|
1
|
3
|
b5
|
7
|
|
|
|
|
|
|
|
|
|
|
|
Major
|
1
|
3
|
|
|
|
|
|
Major 6
|
1
|
3
|
|
|
|
|
|
Major 9
|
1
|
3
|
|
|
|
|
|
Major 11
|
1
|
3
|
|
|
|
|
|
Major 13
|
1
|
3
|
|
|
|
|
|
Major add 9th
|
1
|
3
|
|
|
|
|
|
Major7-5
|
1
|
3
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1
|
3
|
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